Monday, November 29, 2010
Saturday, November 27, 2010
"Stony Brook" 12x9" Oil
Wednesday, November 24, 2010
"Central Park Pecan" 12x9" Oil
I enjoy overcast mornings when the sky is bright
and not toned in blue.
Yesterday I had started a painting during an
overcast day, blocking in the color harmony
and still in the initial stage of the painting
the clouds started to part and the sun was
revealed, drastically altering the scene before me.
The harmonic note which I had already keyed in was
in contradiction to what was "out there", so I
ended up calling it quits, packed up my gear and left.
Today I went back to the same spot to paint, this
time I had an earlier start in the morning before the
clouds would part which gave me enough time to try
and capture a "time in place".
and not toned in blue.
Yesterday I had started a painting during an
overcast day, blocking in the color harmony
and still in the initial stage of the painting
the clouds started to part and the sun was
revealed, drastically altering the scene before me.
The harmonic note which I had already keyed in was
in contradiction to what was "out there", so I
ended up calling it quits, packed up my gear and left.
Today I went back to the same spot to paint, this
time I had an earlier start in the morning before the
clouds would part which gave me enough time to try
and capture a "time in place".
Saturday, November 20, 2010
Lost maples State Park
Monday, November 15, 2010
"Cemetery Sentinel" 12x9" Oil
Today I was in the mood to paint a cemetery
scene during an overcast day in autumn.
Shortly after I had begun painting the lighting
started to change, as the clouds which had
created a cool overcast started to break apart,
allowing the warmth of the sun to spill in over
the ground at differing intervals.
Anyways, I stuck to my original idea all the way
through and was able to keep the harmonious whole
while waiting for the clouds to reconnect and help to
create cool lighting.
scene during an overcast day in autumn.
Shortly after I had begun painting the lighting
started to change, as the clouds which had
created a cool overcast started to break apart,
allowing the warmth of the sun to spill in over
the ground at differing intervals.
Anyways, I stuck to my original idea all the way
through and was able to keep the harmonious whole
while waiting for the clouds to reconnect and help to
create cool lighting.
Thursday, November 11, 2010
Thursday, November 4, 2010
"Glistening Inlet" 12x9"
Here is a quick paint sketch, in which
I tired to convey my initial idea of
water glistening in the distance.(The
relationship of wind and sunlight acting
on the water caused this value mass, area
of water, to be lighter and brighter than
the sky in the distance. More drama thanks
to a windy day on the shore:
I tired to convey my initial idea of
water glistening in the distance.(The
relationship of wind and sunlight acting
on the water caused this value mass, area
of water, to be lighter and brighter than
the sky in the distance. More drama thanks
to a windy day on the shore:
Wednesday, November 3, 2010
"Schmid Study of "Lake Champlain Victorian" 12x9" Oil
Tuesday, November 2, 2010
"Windy Point Tree" 12x9"
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